Sigma 50mm f/1.4 DG HSM Art. Usage last 12 months. September 2021 Today Photographers. Gear highlights. Aperture Range: f/1.4 to f/16; One Molded Glass Aspherical Element; Compatible with Sigma USB Dock; Trending. Recent. Editors' Choice. Best 100. Top Categories. Johnny Hendrikx. Add to Gallery. Above: Sigma 50mm f1.4 Art at f11; 100% crop from center, APS-C-corner, FF-corner. Again the Sigma is a bit soft in the APS-C/DX-corner and the FF/FX-corner in this long distance test at f1.4 but not badly so. At f2.8 the lens delivers nice performance and f5.6 produces crisp details across the full-frame sensor. Includes fast and near silent HSM autofocus. Pairs well with Pro-Level DSLR's.Incorporates Aspherical and SLD Glass ; Lens Construction: 13 elements in 8 groups. Angle of View (35mm):46.8°. This item: Sigma 311306 50mm F1.4 DG HSM Art Lens for Nikon. £640.76£640.76. With the "Art" series, Sigma has sort of reinvented itself and raised its reputation considerably: the lenses tend to have a superb build quality and the 50mm f/1.4 is no exception to the rule. Besides some metal parts, Sigma uses a new material called TSC (Thermally Stable Composite) which contributes to the high quality perception. Sigma 50mm f/1.4 DG HSM Art objektīvs priekš Canon / 311954 5647992. Foto, video, optika » Objektīvi. Cena 688.28 The image below was taken with my Nikon D4 Sigma 35mm F1.4 1/125sec ISO 3200. The image below was taken with my Nikon D700 Sigma 50mm F2.8 1/125sec ISO 800. The image below was taken with my Nikon D700 Sigma 50mm F4.5 1/200sec ISO 1200. The image below was taken with my Nikon D700 Sigma 50mm F2 1/320sec ISO 400. Questo Sigma è un ottimo tuttofare, le dimensioni tutto sommato sono accettabili, famoso per una resa incisa a 1.4. Forse il suo unico difetto per come la vedo io è che ha uno sfocato freddo e anonimo, niente a che vedere col 58 nikon o con il Canon 1.2 L. Certo, direte voi, costa anche un terzo rispetto questi due.. e per questo lo promuovo. This is Sigma's second version of this lens, replacing the older 50mm f/1.4 DG EX lens. The Art series was designed to provide a faster and sharper solution than its predecessor with better build-quality and handling. The Sigma 50mm f/1.4 DG HSM Art won the EISA Award for the Best Product Category in 2015, and after 5 years, it still holds its place among the best lenses on the market. Vay Nhanh Fast Money. Hello, Log InAccount & OrdersE-Mount Lens/Full-Frame FormatAperture Range f/ to f/16Three SLD ElementsOne Aspherical ElementFast and versatile, the Sony E-mount 50mm f/ DG HSM from Sigma is a normal-length prime designed to achieve high optical performance through the incorporation of both three Special Low Dispersion glass elements and one molded glass aspherical element. These elements, coupled with an advanced optical design, work to minimize sagittal coma flare and chromatic aberrations in order to provide high image sharpness and clarity. The lens' large diameter and floating system also help to correct for vignetting to ensure maintained peripheral brightness. A Super Multi Coating has been applied to lens elements, too, to reduce flare and ghosting for higher contrast and color fidelity. Additionally, making it an ideal lens for portraiture, the bright f/ maximum aperture pairs with a rounded nine-blade diaphragm to benefit selective focus and shallow depth of field imaging with smooth supply at this priceAdd a protection plan from $ 50mm f/ DG HSM Art OverviewFast and versatile, the Sony E-mount 50mm f/ DG HSM from Sigma is a normal-length prime designed to achieve high optical performance through the incorporation of both three Special Low Dispersion glass elements and one molded glass aspherical element. These elements, coupled with an advanced optical design, work to minimize sagittal coma flare and chromatic aberrations in order to provide high image sharpness and clarity. The lens' large diameter and floating system also help to correct for vignetting to ensure maintained peripheral brightness. A Super Multi Coating has been applied to lens elements, too, to reduce flare and ghosting for higher contrast and color fidelity. Additionally, making it an ideal lens for portraiture, the bright f/ maximum aperture pairs with a rounded nine-blade diaphragm to benefit selective focus and shallow depth of field imaging with smooth bokeh. Complementing the imaging capabilities, the lens sports a Hyper Sonic Motor to produce quick, smooth, and quiet autofocus performance with full-time manual focus override. The physical design utilizes Thermally Stable Composite material for durability in a wide range of environments, and a brass bayonet mount also offers rigidity and mounting part of the Art line within Sigma's Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic normal-length lens is designed for full-frame Sony E-mount mirrorless cameras, however it can also be used with APS-C models where it will provide a 75mm equivalent focal f/ maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field Special Low Dispersion SLD elements are featured in the optical design, and help to reduce color fringing and chromatic aberrations for improved clarity and color aspherical element reduces distortion and spherical aberrations for improved sharpness and accurate Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit rounded diaphragm contributes to a smooth and pleasing bokeh integrated HSM Hyper Sonic Motor realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any lens is constructed using a Thermally Stable Composite TSC material, along with traditional metals, for greater precision and use in wide temperature bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and 50mm f/ DG HSM Art SpecsFocal Length50mmMaximum Aperturef/ Aperturef/16Lens MountSony ELens Format CoverageFull-FrameAngle of Focus / 40 cmMaximum Design13 Elements in 8 GroupsDiaphragm Blades9, RoundedFocus TypeAutofocusImage StabilizationNoFilter Size77 mm FrontDimensions ø x L x / x lb / 815 gPackaging InfoPackage lbBox Dimensions LxWxH7 x x 50mm f/ DG HSM Art ReviewsGood Quality + Great Focal length50mm is just right for me to make environmental portraits. Other brands and models are either not good enough technically or much too expensive. This one good for price and quality. The only drawback is size and weight. It's big and it's heavy. Still, totally worth it. BTW, the US version comes with a 4 year lens!Fantastic lens with great photo quality. The only con is the focus is a bit noisy. Without a lav mic, the focus sound will come out on videos. However, as long as you use a wireless or lav mic, all is well. No complaints for how I use it! Fantastic low light photos!Excellent lensLens works great with D5 and came next day. Love B&H and the products they carrumy favorite lenssuper sharp, nice bokehMy Best lensI have been using the Sigma 50mm F/ DG HSM Art Lens for Canon EF for all my professional needs such as Photos for my Website, Portraits for my clothing brand, video for my commercials & ads. I highly recommend this lens and to purchase from B&H I have been a long time lensMy first lens . I love itAMAZINGLOVE MY LENS!!! also amazing shipping time! Only took 2 days to get delivered after I ordered! Amazing product, amazing company!DefinitelyI had a multiple order and being overzealous to start playing with my toys, I neglected to adjust the camera settings to shoot raw and only shot large jpg for my initial trial on this lens. I chose it because other reviewers held it in high regard and I had done some research on comparisons with the canon which I had stolen. I am glad I replaced it with this lens. I am a color freak and like to shoot at night with no flash. This will fit the bill easily. In my initial run with this lens and not my usual subject matter, I only shot jpgs and edited in camera raw. I am very happy with the results and raw will give me that much more and quality jpgs right out of the camera with this lens will definitely reduce my work load. I paired this lens with the Canon 6D which I already owned but picked up a used body to keep attached to this RECENTLY VIEWED ITEMS How do you upgrade the firmware on the E-mount ... How do you upgrade the firmware on the E-mount version when there is no USB-dock for E-mount? Asked by Robert The firmware is downoaded to your computer and then downloaded to your camera with the lens attached. Click the link below and then scroll to the bottom for complete details; Answered by Rob Date published 2020-11-18 Does anyone know if this lens supports 30fps on ... Does anyone know if this lens supports 30fps on the Sony a1? Asked by Rich As of now, this is not one of the lenses listed by Sony as compatible with the 30fps unfortunately. Answered by Zach L Date published 2022-05-18 How is the autofocus on this compared to Sony ... How is the autofocus on this compared to Sony lenses for new sony cameras A7s iii, FX9 etc? Asked by Leonard I can’t necessarily compare it to Sony lenses but I do have this with an a7siii and have no complaints. I’ve never had a moment where I felt it needed to be faster or it wasn’t accurate. Maybe Sony is better but I’m very happy with this lens Answered by Jason Date published 2021-04-13 Has anyone had issues trying to get a Tiffen 77mm ... Has anyone had issues trying to get a Tiffen 77mm ND filter on this lens? Mine doesn't seem to thread. Asked by Francesca Often with the fine threads that are on camera lenses and filters, finding the threading start can be a challenge. I suggest making sure the rear cap is on and sitting the the lens on a table. Then bring the filter down and touch the lens filter threads. Rotate the filter counter-clockwise which is the opposite direction of threading and feel for the slight dip that tells you that you are at the thread opening. Then gently rotate clockwise to thread. If to no avail, then I would suspect damage to the filters thread and recommend an exchange care of the B&H Customer service department. Answered by Dennis A Date published 2019-11-05 question Any reviews out there comparing this to the 55 I feel like for the same price, this lens has strong competition. Asked by Bart These are both excellent lenses where the decision comes down to you and your photography comparing the Sigma 50mm f/ DG HSM Art Lens for Sony E vs the Sony Sonnar T* FE 55mm f/ ZA Lens, we feel you will get a sharpness increase as compared to the Sony but at the price of increased bulk. Even so, the Sony/Zeiss is no slouch for it is an excellent lens that is a pleasure to use since it is not too big/heavy and it has a smooth turning focus ring. So as mentioned, we think it comes down to what is best for your photography. Did you need a fire-breathing hot-rod lens or a sublime sedan lens to get you where you want to go? Answered by Dennis A L. Date published 2021-02-02 How is the focus breathing on this lens for ... How is the focus breathing on this lens for video? Asked by Chris The Sigma 50mm f/ DG HSM Art Lens for Sony E does have noticeable focus breathing. It appears some testing has shown there may be approximately 7% magnification when adjusting focus from the minimum focus distance to infinity. Answered by Manzell Date published 2022-04-25 What lens adapter will work with Canon EOS R ... What lens adapter will work with Canon EOS R Mirrorless Camera? Asked by Akintola Unfortunately, there is no lens adapter to allow the Sigma 50mm f/ DG HSM Art Lens for Sony E to function on the Canon EOS R. Answered by Kirk Date published 2022-10-31 This lens is good for wedding photography ? This lens is good for wedding photography ? Asked by Nakib This is an excellent lens for wedding photography due to its fast autofocus and wide aperture. Answered by Kirk Date published 2020-12-14 The Sigma 50mm DG DN Art $849 is the answer for photographers who've been yearning for a bright standard prime lens, but have been turned off by the $2,000-plus price tags attached to the Panasonic Lumix S Pro 50mm or the Sony FE 50mm GM. This made-for-mirrorless update to an old favorite SLR lens comes with new optics that are tuned for high-pixel sensors and lightning-quick autofocus response. All of the trappings of a premium lens are here, but at a midrange price, making the 50mm Art an easy Editors' Choice recommendation for both E- and L-mount system Classic Angle Gets the Art TreatmentThe Art series started with SLRs, but in recent years Sigma has shifted to making lenses primarily for mirrorless camera systems. So while the names are very similar the 50mm DG DN Art is a completely different lens than the 50mm DG HSM Art, despite the latter being sold for the same Sony E and L-mount camera systems. Credit Jim Fisher The new 50mm DG DN Art makes the old HSM edition seem out of date. It offers a host of handling upgrades, including on-barrel aperture control and anti-smudge fluorine glass, features that are expected today but weren't in 2016 when the 50mm DG HSM Art the 50mm DG DN Art is average for an f/ aperture prime. At by inches HD and pounds, the lens is in line with Sony's svelte FE 50mm GM by inches, pounds, and for L-mount photographers, a heck of a lot easier to carry than Panasonic's chunky Lumix S Pro 50mm by inches, pounds. Similar Products The Sigma 50mm DG DN Art is sized in line with the Sony FE 50mm GM Credit Jim Fisher The lens ships with a zippered carrying case, front and rear caps, and a petal-style hood. The hood features a push-button lock, and is reversible for storage. The barrel is a mix of machined aluminum and composite, the same that Sigma's been using for recent Art series entries like the 24mm and 35mm and splash protection are incorporated into the design, along with anti-smudge fluorine coating on the glass. It's easy enough to wipe away a stray fingerprint, and water drops bead off. There's a 72mm filter thread if you wish to add a protective or creative and ControlsSigma incorporates several on-barrel controls into the 50mm Art's design. It includes an AF/MF toggle switch for quick changes to focus mode, and a function button. The button is configurable via the camera; most photogs use it for AF-L focus lock or AF-ON focus drive. Credit Jim Fisher The aperture control ring ranges from f/ with third-stop detents and markings. If you prefer silent, click-free operation it's just a matter of flipping an on-barrel toggle. There is also an aperture lock available; if it's engaged it won't let you move the lens between manual f-stops and the A is driven by an HLA focus motor. The 50mm is the second Sigma lens to get this type of linear actuator, following the 60-600mm Sports. Here it drives focus instantly, at least with the Sony a7R V, and silently. Focus isn't quite as instant on the previous-generation a7R IV, but is as fast as any lens I've used with the camera. Credit Jim Fisher The manual focus ring takes up much of the surface area. The lens includes the standard ridged rubber and is strongly dampened. The extra resistance makes it a bit easier to dial in precise focus, and a linear response is a plus for photographers who really want to define the plane of focus for shallow depth-of-field images. If you get the lens in L-mount, you can pick between linear and nonlinear manual focus response and fine-tune other settings with the USB Dock the focus experience is good, significant focus breathing is evident. The angle of view is noticeably constricted when focusing close, so the frame will bloom and expand depending on the point of focus. Videographers will want to avoid using this one for rack focus shots. Sony a7R IV, f/ 1/50-second, ISO 250 Credit Jim Fisher The 50mm focuses about as close as other fast 50mm primes. Its minimum distance captures subjects at 1 life-size. It's not a good pick for macro shots, but again, lenses of this type don't usually do a good job for macros. The Lumix S Pro 50mm offers similar, 1 50mm Art In the LabI paired the 50mm DG DN Art with the 60MP Sony a7R IV for resolution tests. ImatestOpens in a new window analysis of an SFRPlus test chart shows it to be a fantastic performer, only slightly behind the Sony FE 50mm GM in sharpness. The Sigma delivers excellent marks 4,600 lines at its maximum aperture. The field of focus is uniformly flat, so you can get clear results, even for off-center compositions. Sony a7R V, f/ 1/3,200-second, ISO 100 Credit Jim FIsher Resolution ticks up at smaller f-stops, with the crispest results coming in the f/ range 5,500 lines. This is as good as you can expect from the a7R IV, or any full-frame camera for that aberration is well-controlled. I couldn't spot any false purple color around power lines or branches, nor is there evident purple or green color in defocused backgrounds. The optics do show some pincushion distortion and a vignette, but Sigma includes a correction profile for Raw editors to remove it, and in-camera corrections take care of it for JPGs. Sony a7R V, f/ 1/1,600-second, ISO 100 Credit Jim Fisher There are some optical drawbacks, however. I noticed some coma effects in photos with bright specular highlights. Coma is typically a concern with astrophotography, where stars are rendered with oblong, false color halos. I spotted it in several photos made on earth; magenta coma popped up around the water droplets left over from a previous night's rain on a hand-painted sign I use as a regular test scene, and I was able to see it in the reflection of a flash in a dog's eye in a portrait. It's lessened at f/2 and gone by f/ and is one of those aspects of lens performance that doesn't affect every image. Sony a7R IV, f/ 1/60-second, ISO 1000 Credit Jim Fisher You'll want to use the lens at wider apertures for portraits and other blurred-background photos. Defocused backgrounds are pleasingly soft, and I couldn't spot any evidence of onion skin or distracting hard-edge highlights. You'll see some cat's eye shapes toward the edges of the frame when using the lens at f/ is common in lenses with aspherical elements. Setting the aperture to f/2 or smaller turns the cat's eyes into circles, as light is shaped by the 11-blade circular aperture. Sony a7R IV, f/ 1/60-second, ISO 500 Credit Jim Fisher Flare isn't as well-controlled as with the premium options, and it's more likely to be a concern for creators than coma. If you're working against a strong backlight you can expect to contend with some ghosts and flare at wider f-stops. For shots into the sun you can set the lens to f/ to sidestep flare, and if you go down to f/16 you'll get scenes with 22-point and Performance Come Together Beautifully Sony a7R V, f/ 1/800-second, ISO 100 Credit Jim Fisher Sigma worked to establish its Art lens series as a value option for photographers who were after stunning picture quality and reliable performance without spending for first-party options. The price of 50mm lenses from big-name camera makers has crept up over the years, so the $849 asking price is significant on its own. Picture quality and autofocus performance are on par with alternatives like the Panasonic S Pro 50mm $2,300 in L-mount, and the Sony Zeiss 50mm ZA $1,500 or FE 50mm GM $2,000 for customers don't have many alternatives to consider. The Panasonic S Pro 50mm and Leica Summilux-SL 50mm ASPH $6,595 won't appeal to value-minded buyers. In E-mount, there are more low-cost 50mm options, but few that open up to f/ If you're open to getting an f/ lens you can spend less, and find a smaller lens too, for either system. Credit Jim Fisher We have very little bad to say about Sigma's mid-priced effort. The 50mm Art has the resolving power for sharp pictures with high-pixel cameras. There are a couple of drawbacks, some flare and focus breathing for example, but not nearly as many as you get with budget-line alternatives like the Rokinon 50mm AF. It's why we're naming the Sigma 50mm DG DN Art as our Editors' Choice winner for photographers looking for a bright standard prime at a reasonable price. Sigma 50mm DG DN Art Pros Sharp results, even wide open Lightning-fast autofocus Dust, splash, and fluorine protection Click-free aperture control E- and L-mount availability View More Cons Exhibits focus breathing Can flare in backlit situations May show coma at wide apertures The Bottom Line The Sigma 50mm DG DN Art lens captures great-looking photos with loads of detail and defocused backgrounds at a price that undercuts first-party glass. Like What You're Reading? Sign up for Lab Report to get the latest reviews and top product advice delivered right to your inbox. This newsletter may contain advertising, deals, or affiliate links. Subscribing to a newsletter indicates your consent to our Terms of Use and Privacy Policy. You may unsubscribe from the newsletters at any time. Hello, Log InAccount & OrdersAperture Range f/ to f/16One Molded Glass Aspherical ElementThree Special Low Dispersion ElementsSuper Multi-Layer CoatingThe Canon EF mount Sigma 50mm f/ DG HSM Lens is a fast standard-length prime designed to achieve high optical performance through the incorporation of both three Special Low Dispersion glass elements and one molded glass aspherical element. These elements, coupled with an advanced optical design, work to minimize sagittal coma flare and chromatic aberrations in order to provide high image sharpness and clarity. The lens' large diameter and floating system also help to correct for vignetting to ensure maintained peripheral brightness. A Super Multi Coating has been applied to lens elements, too, to reduce flare and ghosting for higher contrast and color a protection plan from $ 50mm f/ DG HSM Art Overview1Description2Sigma Global Vision - Art3Molded Glass Aspherical Element4Special Low Dispersion Glass Elements5Large Diameter Lens6Super Multi-Layer Coating7Floating System8Hyper Sonic AF Motor9Other Lens FeaturesThe Canon EF mount Sigma 50mm f/ DG HSM Lens is a fast standard-length prime designed to achieve high optical performance through the incorporation of both three Special Low Dispersion glass elements and one molded glass aspherical element. These elements, coupled with an advanced optical design, work to minimize sagittal coma flare and chromatic aberrations in order to provide high image sharpness and clarity. The lens' large diameter and floating system also help to correct for vignetting to ensure maintained peripheral brightness. A Super Multi Coating has been applied to lens elements, too, to reduce flare and ghosting for higher contrast and color fidelity. A Hyper Sonic AF Motor, along with an optimized AF algorithm, produces quiet, smooth, and fast autofocus performance that benefits this lens' use in a wide variety of situations. This AF motor also permits full-time manual focusing control for refined precision by simply turning the focus ring at any part of the Art line within Sigma's Global Vision series, this lens' is designed to achieve truly notable optical performance and is ideally suited for creative and artistic lens has been designed using an advanced optical structure to achieve both high resolution and sharpness along with an aesthetic out-of-focus quality for greater subject separation. A molded glass aspherical element corrects for sagittal coma flare and enables full use of the fast f/ maximum aperture with maintained sharpness and clarity. This design also works to minimize vignetting, color blur, and other distortions help to produce natural and pleasing bokeh for selective focus and shallow depth of field techniques. By reducing these aberrations, this lens is also well-suited to astrophotography or other situations with point-light sources due to its ability to suppress blur near the edges of the SLD Special Low Dispersion glass elements have been incorporated within the lens design to correct for axial chromatic aberration throughout the entire focusing range. This helps to ensure maintained image sharpness, clarity, and contrast regardless of focus point or aperture designing the lens with a large diameter, and placing the widest elements within the front group, greater peripheral brightness is more easily attained when working with larger apertures. This design also lends itself to minimizing vignetting throughout the aperture range for greater clarity and detail across the image Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit employing a floating system, the distance between glass elements is adjusted during focusing in order to limit the amount of lens movement required when shooting. This floating system helps to realize a minimum focusing distance of with a maximum magnification of 1 Additionally, this design also contributes to high detail rendering capabilities throughout the entire focusing integrated HSM Hyper Sonic Motor realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any rounded nine-blade diaphragm helps to produce an attractive out-of-focus lens is constructed using a Thermally Stable Composite TSC material, along with traditional metals, for greater precision and use in wide temperature variations. The outside of the lens barrel is also engraved with the year of bayonet mount is constructed from brass for ensured accuracy and included lens hood is fitted with a rubber connection for a secure lens is compatible with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its 50mm f/ DG HSM Art SpecsFocal Length50mmMaximum Aperturef/ Aperturef/16Lens MountCanon EFLens Format CoverageFull-FrameAngle of Focus / 40 cmMaximum Design13 Elements in 8 GroupsDiaphragm Blades9, RoundedFocus TypeAutofocusImage StabilizationNoFilter Size77 mm FrontDimensions ø x L x / x lb / 815 gPackaging InfoPackage lbBox Dimensions LxWxH x x 50mm f/ DG HSM Art ReviewsGood Quality + Great Focal length50mm is just right for me to make environmental portraits. Other brands and models are either not good enough technically or much too expensive. This one good for price and quality. The only drawback is size and weight. It's big and it's heavy. Still, totally worth it. BTW, the US version comes with a 4 year lens!Fantastic lens with great photo quality. The only con is the focus is a bit noisy. Without a lav mic, the focus sound will come out on videos. However, as long as you use a wireless or lav mic, all is well. No complaints for how I use it! Fantastic low light photos!Excellent lensLens works great with D5 and came next day. Love B&H and the products they carrumy favorite lenssuper sharp, nice bokehMy Best lensI have been using the Sigma 50mm F/ DG HSM Art Lens for Canon EF for all my professional needs such as Photos for my Website, Portraits for my clothing brand, video for my commercials & ads. I highly recommend this lens and to purchase from B&H I have been a long time lensMy first lens . I love itAMAZINGLOVE MY LENS!!! also amazing shipping time! Only took 2 days to get delivered after I ordered! Amazing product, amazing company!DefinitelyI had a multiple order and being overzealous to start playing with my toys, I neglected to adjust the camera settings to shoot raw and only shot large jpg for my initial trial on this lens. I chose it because other reviewers held it in high regard and I had done some research on comparisons with the canon which I had stolen. I am glad I replaced it with this lens. I am a color freak and like to shoot at night with no flash. This will fit the bill easily. In my initial run with this lens and not my usual subject matter, I only shot jpgs and edited in camera raw. I am very happy with the results and raw will give me that much more and quality jpgs right out of the camera with this lens will definitely reduce my work load. I paired this lens with the Canon 6D which I already owned but picked up a used body to keep attached to this RECENTLY VIEWED ITEMS By PR admin Published June 1, 2023 Sigma will announce the previously rumored 14mm f/ DG DN Art lens on June 8th Sigma to announce a new 14mm DG DN Art lens Related posts First leaked pictures of the upcoming Sigma 20mm f/ DG DN Art and 24mm f/ DG DN Art lenses for Sony E and Leica L mount The new Sigma 20mm f/ DG DN Art and 24mm f/ DG DN Art lenses will be announced on August 8th First pictures of the Sigma 50mm f/ DG DN Art lens leaked online Leica L and Sony E mount Sigma introduces a new 50mm f/ DG DN Art lens for E and L mount Announced Sigma 20mm f/ DG DN Art and 24mm f/ DG DN Art lenses for Sony E and Leica L mount FCC disclosure statement this post may contain affiliate links or promotions that do not cost readers anything but help keep this website alive. As an Amazon Associate, I earn from qualifying purchases. Thanks for your support! 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Topaz Labs Photo AI released with added support for Nikon Z8, Sony ZV-E1, Panasonic S5M2, and DJI Mavic 3 Pro currently $40 off The new 2023 5DayDeal Video Creators Bundle is now live Zeiss is denying reports of the company exiting the photography business Sigma 14mm f/ DG DN Art lens for Sony E and Leica L mount officially announced Hasselblad announced a new X2D 100C lightweight portrait kit DxO adds 1,454 new Optics Modules with corrections for the Nikon Z8, Sony ZV-E1, DJI’s latest drones, and several popular lenses Irix announced two new full-frame lenses for Sony E-mount 15mm f/ and 150mm macro 11 What else is new? Coming soon new StockCam gun-style camera accessory that will “add excitement and ritual to every shot” Tags Disclaimer has no affiliation with any of the equipment manufacturers mentioned on this site. All trademarks and brands belong to their respective owners. Disclosure PR is sponsored by companies and affiliate partners that display various advertising banners and links see our Privacy Policy. FTC link-level disclosure consider every link on this website as an affiliate link. Download the PhotoRumors widget Mac Want to advertise on Contact PR. Copyright © 2008-2022 SummaryThe Sigma 14mm is not just the fastest non-fisheye 14 to date, but delivers excellent performance wide-open, across the frame and near to far. Point it at distant stars and you’ll enjoy pin-sharp images right into the corners even at which means it’s also ideal for big landscape and architectural views. Approach the minimum focusing distance and you’ll enjoy some nice shallow depth of field effects, while closing the aperture down delivers sharp diffraction spikes. On top of this you’re getting a substantial weather-sealed lens with a tripod foot and a bunch of considerate features for astrophotographers. On the downside it’s a hefty lens, weighing over a kilogram and the focus breathing reveals some interesting distortions. It’s mostly unchallenged in the L-mount, but Sony owners should compare it to the 14 G Master at much the same price. In my tests the Sigma matched its optical quality, plus it’s two thirds of a stop faster and has those considerate features for astro photographers. But the Sony lens is less than half the weight, making it more flexible handheld or mounted on a modest gimbal or a small star tracker. But exacting astrophotographers will be happy to accommodate the Sigma’s heft for its larger aperture, useful tripod mount and those extra astro it now!Check prices on the Sigma 14mm DG DN Art at B&H, Adorama, WEX UK or Alternatively get yourself a copy of my In Camera book, an official Cameralabs T-shirt or mug, or treat me to a coffee! Thanks! Sigma 14mm DG DN Art review 8th June 2023 Written by IntroIntroSamplesVerdictThe Sigma 14mm DG DN Art is an ultra wide-angle lens with a bright aperture designed for full-frame mirrorless cameras. In fact it’s the fastest non-fisheye 14 to date, making it perfect for astro-photography but also ideal for dim interiors or dramatic photos and the time I made this review, it was available for Sony e and Leica L mounts, the latter working on Panasonic Lumix S bodies. Come on Canon and Nikon, your systems would really benefit from opening fully to third party lenses like in June 2023, the 14 becomes the sixth and widest DG DN mirrorless lens in Sigma’s high-end Art series, joining the existing 20, 24, 35, 50 and 85 models, all sharing the same fast aperture. In my video review below I’ll show you my full tests and results from the lens, but if you prefer to read the written highlights, keep scrolling! If you’re an L-mount owner, the Sigma 14 is pretty unique, with only Panasonic’s own 14-28 extending as wide in a true native mount, albeit as a zoom with a much dimmer also have their older 14 prime and 14-24 zoom, adapted from earlier DSLR versions and available in multiple if you’re in the e-mount system, by far the biggest rival will be Sony’s own FE 14mm G Master which arrived two years previously and costs roughly the same at around $1400-1500 or pounds. I reviewed Sony’s 14 back then and even two years later it represents tough competition, an excellent performer at a similar price. So Sigma’s new 14 better be good. In my review I’ll show you what it can do and how it things first in a World when many new lenses are touted as being smaller or lighter, the Sigma 14 is unapologetically substantial. Measuring just over 100mm in diameter and 150mm long, it makes Sony’s 14 look quite compact. More dramatic though is the weight at the Sigma is more than double the weight of the Sony, making it much less practical for handheld or gimbal work, so you really have to want that slightly brighter look at the Sony 14 in comparison. Sure it’s not quite as bright at but it sure is considerably more compact and usable realises this and pitches the 14 as being optimised for astro-photography where you’ll be shooting from a tripod. Indeed it’s supplied with a collar and tripod foot, sensibly taking the strain rather than your camera’s lens collar allows you to rotate the barrel, albeit sadly lacking any tactile feedback at 90 degree intervals. But in some consolation, the foot has an Arca-Swiss dovetail, allowing you to slide it right into a compatible clamp, and if you are handholding the lens, you can remove the collar to reduce the load a little. This reveals some mounting holes, but in the first of several small but considerate moves, Sigma supplies a rubber ring to cover them up and present a tidier-looking to the lens mount is an aperture ring from to 16 in one third increments with a lockable A position for body-based control. Like other Art lenses and the Sony, this is de-clickable for smooth and silent the end of the barrel is a very smooth and well-damped manual focusing ring, and sandwiched between this and the aperture ring are three switches and a button. From top to bottom, there’s a switch for auto or manual focus, a customisable AF Lock button, a switch that handily disables the manual focusing ring altogether, and finally the switch to declick the aperture many lenses that can be used for astro, the Sigma 14 is designed for it with a number of considerate features. You already know about the switch that disables the manual focusing ring entirely, preventing any unwanted knocks once you’ve painstakingly set it to infinity. And speaking of which, the focusing mechanism has plenty of latitude on either side to ensure you will achieve the risk of condensation during a long night of astrophotography, Sigma’s also included a ridge around the end of the barrel to help secure heating most ultra-wide lenses, there’s a built-in petal hood, but unlike the usual friction-based caps of models like the Sony, Sigma’s designed one that can actually clip onto the end of the barrel and stay in still, the spring-loaded mechanism in the cap also doubles as storage on the inside for a pair of soft filters. Yep, like most lenses with this kind of bulbous front element, the 14 accommodates filters at the mount-end and Sigma supplies a stencil for you to cut-out your own. This is no different to the Sony 14, but the ability to store a couple of these in the cap is a really nice an Art lens that’s also made in Japan, it won’t surprise you that the build quality is excellent and it’s weather-sealed throughout. So while the lens is undeniably substantial, especially with the tripod foot, think of it as being reassuringly hefty and designed to excel at a job – and while Sigma pitches it for distant astro-photography, you’ll see it also performs well in daylight, near and far, and even for vlogging if you let’s start with focusing and you’re seeing the Sigma 14 on a Sony A7 IV which I used for all my tests. This is a single AF area first in Single AFS mode where the lens is focusing very quickly and confidently without a wobble. Switch the camera to Continuous AFC mode and it looks equally good to me, and similar to the Sony 14 good measure, here’s the same test for video, again on the A7 IV in Continuous AFC mode, and again showing confident refocusing between the bottle close to the lens and the wall behind for a focus breathing test with the lens closed to f16 and manually focusing from infinity to the closest distance and back again. You’ll notice the field of view doesn’t actually change that much, but unusually that barrel distortion becomes more pronounced, making the centre appear to stretch further away. Not ideal, unless you like Warp Drive or Vertigo style special effects, but equally something you’re unlikely to come across when using the said, here’s the Sony 14 in comparison which exhibits a much more conventional reduction in the overall field of view without the stretching now for my Sigma 14 optical results and I wanted to start by showing you an image taken straight from the camera without any lens corrections, and now one with Distortion Compensation set to Auto on the Sony, which is how it’s meant to be I toggle between them, you’ll see there’s minimal correction taking place considering the extreme nature of the lens, just a mild tweak to compensate for some barrel distortion with an equally mild crop as a result. When I compare the coverage with compensation applied, it looks essentially identical to the Sony 14 so no compromise to worry this point on all my results are shown with Distortion Compensation set to Auto, again how the lens is designed to be says the lens is optimised for distant subjects like astro and I’ll be showing you some of that in a moment, but this should also make it adept at landscapes, so here’s my standard test scene, which you can compare against the same view in my other reviews. It’s angled so that details run into the looking at the lens wide-open to and if we zoom-in for a closer look in the middle of the frame where the camera was focused, you’ll see a tremendous amount of detail and there’s no significant boost to be gained by closing the out into the far corner unsurprisingly results in some darkening due to vignetting but there’s minimal loss of sharpness here, with excellent detail out of the you close the aperture one stop at a time, the vignetting quickly lifts, leaving a clean frame with a mild boost in detail at to f8. If you’re shooting a landscape, you’ll enjoy the best results with the aperture closed down a little, but the headline here is the lens performing very well at the maximum aperture. Comparing it to my results from the Sony 14 shows both lenses delivering similar detail and sharpness across the see how this translates to astrophotography, I headed up to the South Downs, the nearest darkish location to where I’m based in a five second exposure at 400 ISO with the lens wide open to where you can see the Summer sky, young Moon and light pollution of Brighton all conspiring against me, but there’s still some stars visible, and I’ve boosted the whites and highlights on the RAW file to make them detail in the middle is well-corrected as expected, and moving into the far corner also shows the stars remaining well-behaved. I’d say this is an excellent result for the Sigma lens, proving it’s a desirable option for wide-field so’s the Sony 14 seen here from the same location, albeit at a different time of year and mounted on the Alpha 1 rather than an A7 IV. Place the corner crops of the Sigma on the left and the Sony on the right, when both lenses are wide open shows little to choose between them, although with an aperture that’s two thirds of a stop faster, the Sigma will allow correspondingly shorter exposures or lower ISOs as a result. And don’t forget the physical extras on the Sigma, like the manual focus lock, wide focus range, filter holder and ridge to stop a heat strip from slipping. These all make it more desirable for astro for a quick portrait shot, taken as a selfie with the 14 of course wide-open to where you can get an idea not just of the broad coverage, but also the shallow depth of field in the closer shows the focused areas to be crisp and the blurred ones to be satisfyingly rendered, even with this potentially busy the heft of the lens, I couldn’t resist trying it out for a quick vlogging test, here using IBIS sensor shift stabilisation on the A7 IV alone, and what really struck me was the almost three dimensional look to the a steadier result, here’s some footage filmed with Active SteadyShot on the A7 IV, which takes a small crop in return for additional digital compensation. The view was so wide to start with that the cropped version is still pretty initially filmed this as a bit of a laugh, as I couldn’t imagine anyone actually vlogging with a lens this size, but the results looked so good, I repeated the test in The Lanes of Brighton, where again you’ll see the almost 3D pop of the subject with a beautifully rendered background behind again with both IBIS and Active SteadyShot, taking a mild crop to deliver smoother footage. The size and weight makes the lens less than ideal for this kind of thing, but I loved the results so wanted to show lens may be optimised for distant subjects, but still turns in respectable performance at close range. My ruler was photographed from the minimum focusing distance quoted as 30cm, where the lens has reproduced just under 30cm across the frame, and when closed to f8 here, the results are pretty crisp too right up to the this distance, the large aperture can also deliver more background blur than you might expect. Here’s my ornament test from near to the closest focusing distance with the aperture wide open, and taking a closer look reveals mostly well-behaved bokeh blobs. There’s minor textures in some of them, but it’s nothing like the onion ringing of others, and there’s no outlining to I close the aperture one stop at a time you’ll see the shapes becoming more uniform across the frame and occasionally hinting at the geometric shape of the 11-bladed comparison, here’s mild crops from the Sigma on the left and the Sony 14 on the right, both at their maximum apertures and closest focusing distances. They were taken at different times, but you can see their rendering styles are quite similar here, albeit with slightly larger blobs from the Sigma as you’d expect from its slightly larger the other end of the scale, here’s the Sigma 14 closed to f16 and pointed at The Sun, where you can see the aperture blades delivering well-defined diffraction for comparison, here’s the Sigma on the left versus the Sony on the right, both at f16 and on different days, but again you can see their diffraction spikes looking pretty similar for fun, here’s a video demo of the Sigma’s full aperture range from to 16 and back again, with the aperture declicked for smooth operation, where you can see the impact of the diaphragm system with point sources of light – albeit a slightly fuzzier one here due to the fact while Sigma is keen to tell you the lens is optimised for astrophotography, I had a great time filming with it day and night, even handheld. You’ve already seen how good it is for filming pieces to camera, but it was equally effective for huge dramatic views, and again with some opportunity for shallow depth of field effects from close prices on the Sigma 14mm DG DN Art at B&H, Adorama, WEX UK or Alternatively get yourself a copy of my In Camera book, an official Cameralabs T-shirt or mug, or treat me to a coffee! Thanks!Pages 1 2 3

sigma 50mm f 1.4 art